Scraps

of a Patchwork

This being human is a guest house. Every morning is a new arrival. A joy, a depression, a meanness, some momentary awareness comes as an unexpected visitor… Welcome and entertain them all. Treat each guest honorably. The dark thought, the shame, the malice, meet them at the door laughing, and invite them in. Be grateful for whoever comes, because each has been sent as a guide from beyond.    —Rumi

I recently spent a month in France and Italy. At the beginning of the trip, I was a nervous wreck. There was so much energy in me, I couldn’t stay still, and the more I tried to keep it under control, the more I felt like I was going to explode. It was a terrible feeling.

Eventually, I did calm down. Got steady on my feet and rubbed my eyes until I could see things more clearly. Beautiful, wonderful things. I can smell the cheeses now, I can taste the sangioveses, the syrrahs, I can hear people arguing in the streets and then burst out in laughter ten minutes later.

Italy is a special place. There, you can say the things you need to say. You are treated like an adult who can make their own decisions, however good or bad they may be. You aren’t publicly shamed for stepping over invisible lines. People don’t shake their heads when you pronounce words incorrectly. They smile delightfully and use every muscle in their bodies to communicate a response. And if you walk up to an Italian with tears in your eyes, they won’t harden their face like a concrete wall. In fact, the opposite happened. 

A woman stopped to ask me for directions. She was wearing an orange scarf, that’s what I remember. And I remember how the lines of her face melted with compassion when she looked into my eyes. Which made the tears fall down my cheeks. Before I could respond to her question, she was raising her hand to touch my jawbone, as if to remind me that I was whole, that I was alive. She didn’t ask for an explanation, she didn’t offer a solution, or a single word. Just the merciful touch of fellow human being who knows what its like to feel pain. 

The truth is, I wasn’t in pain. My tears were joyful ones, but she didn’t know that. And what difference does it make? They’re both part of the human experience. “You cannot protect yourself from sadness without protecting yourself from happiness,” as J.S. Foer put so well.

I stayed with several Italian families who live off their small plots of land, sustained by anything the land can yield - wines, breads, cheeses, raw honey, fruit preserves, roasted chickens, herbal pestos, chestnut pancakes, berry crostatas. They wasted nothing and had no extras. They wore the same outfits every day. They didn’t have cell phones, computers, or gadgets of any sort. Pen and paper were sufficient for tallying our bill. An old boom box could play CDs just fine. They sang in their kitchens and yelled at each other through the windows without caring who heard. It wasn’t disgraceful to laugh, or to be upset. I found myself relaxing, completely, for the first time in I don’t know how long. Like wads of paper, they opened up my shriveled soul. They served gorgeous dishes with such humility. Asked each morning if I’d gotten cold during the night. Moved my wet clothes around the lawn so that they stayed in the sun.

I’m not trying to over-romanticize anything. We were honest travelers. We paid for the heat we used, the towels, every meal, the coffee and even the water. When given the option to purchase a bottle of their homemade wines, sadly, I had to decline. But when it was time to leave and our suitcases were in the car, the farmers told us to please wait. Running up from the cellar, he carried a bottle of wine and thrust it into my arms as if I’d do him a great favor by accepting it. I’d seen the cellar earlier, it wasn’t very big, just enough for their family. But still, they all gave, however they could. Even when there is very little, I learned, there is always something to give.

In Montepulciano, I met a third-generation coppersmith who insisted on making me a gift, as he does for all those who are visiting shop for the first time. A copper medallion, engraved with the date, my initials and the Mazzetti seal. Signore Mazzetti had just shown me a fish platter that could end up in a museum some day. He showed me water pitchers, perfect honeycomb patterns, portraits of his grandfather, from whom his artisanal gift derives. Some of his pieces are not for sale, though they’d make him a fortune. Some are priced higher than market value, others are priced much lower. Why? I asked.  

Because our labor cannot be measured by market trends or even price tags, but by the amount of pleasure we derived from doing it, by how much we invested ourselves. Only you can say what its worth, he said. Signore Mazzetti takes pride in his work and shares himself freely, piece by piece, medallion by medallion. Partly because he doesn’t want to be forgotten, but at least he understands his value in this world, and to me, that is a mark of nobility. 

There isn’t a stack of copper medallions sitting on his shelf, waiting for new visitors. The gift I took home was made right before my eyes. I watched and waited as Sig. Mazzetti hammered and forged, stopping to tell to a few stories (in Italian. Thank goodness I was with an Italian who could translate). Why would I be in a hurry? Everyone in Italy seemed to ask me this question. What’s the use of rushing your life away?  If this is your chance to live, shouldn’t you take it as slow as possible? 

It took time for the Mazzetti craft to evolve. Three generations, in fact. It takes time for those Tuscan grapes to age in wood barrels, and for tomatoes to ripen in the sun. It takes time for stories to materialize, and if you’re just rushing through the moments of life, who knows what part of the story you’re missing. It might have taken over 400 years to complete the Duomo in Siena, but there is nothing like it in this world. 

And yet, other things occur so quickly that you can’t even grasp them. You just wake up one day and walk out to the stone walls of an Etruscan city. You look out over the valley, silver trees paint the hillsides, little strands of smoke spiral from chimneys, a cathedral stands up straight and tall, and all of a sudden you can’t even say how you got there, or whether this is you or not. It feels like you’re standing on the edge of your own life. You didn’t plan this, couldn’t have planned this - Nobody gets what they want, they get something else. The most important things in life happen by surprise.

You know what I’m talking about. The things that are too big to be coincidences, too deep to see or find words for. Those who get inside of you and stay there, swirling. Maybe for the rest of your life, I can’t say for sure yet. All I know is that life is incredibly generous, it offers us so many chances. 

There was a moment when Misty and I were driving through Genoa. On bridges that suspended high into the air, we tunneled through the green Ligurian mountains. It had been raining, but eventually the dark clouds passed and blinding light came spewing from the sky. We were stunned by the beauty around us. “The only thing that could possibly make this any better,” I told Misty, “is if a rainbow suddenly appeared and fell into the valley below.”

Ten minutes later, we both gasped. Right before our eyes, a long rainbow poured out of the sky. Falling and falling, for miles, all the way to the bottom of the valley, and then reaching like an arm back into to the heavens.

That rainbow was a harbinger: it appeared on day 1 of my journey, when anything was possible. Your dreams are not unreasonable, it reminded me. Do not close yourself up, even if seems like a good idea at times. Like the rainbow, open your arms, stretch them as far as they will reach. If you fall, then good. Fall divinely. Trust what is inside. Trust that your labor is ordained. And out of that trust, keep going, for that is the way. 

So much had changed when I returned to Stockholm. One month ago, the world had been in flames, and we were doing our best to save it. Collecting red berries for marmalade. Bright orange pumpkins for carving and roasting. Gold leaves to decorate our doorframes. Now what was left?  Gray sticks set against a gray sky. There were no leaves either - just their jagged shadows pasted onto the sidewalks. A different sort of beauty, a time for rest, for renewal, when the past fades away into long dark nights, making empty spaces that will freeze over, waiting to be filled with new things.  

I was very quiet that first week, mostly because I had four different languages tumbling in my head. It took some time for Swedish to roll forward into my mouth again. Even last week, when I was checking out at the market, the cashier handed me my receipt. Varsigod, she said. I hesitated.  It was awkward. She looked at me as I flipped through several words in my head, trying to find the right one. Grazie, I said.

That word still comes in Italian. It was wrong, and the cashier frowned before glancing away, but it just felt like the right word. Grazie. I’m so thankful to Italy, to those I met, every unexpected visitor, you guides from beyond, I still carry you with me. Every day, I am grateful. You touched my jawbone, you brought me back to life.  

Posted at 11:22am and tagged with: two column,.

I live on the dirty side of town. Spring is so yellow you choke on it, and winter is nothing but a brittle latticework of dust. Most women sweep their porches on Saturday mornings, but by nightfall, a light jacket of dirt has already resettled. If your dress is even a little too long on Sunday morning, you have to pick it up as you pass through the porch. Otherwise, the hem is brown or gray before you can even get to church.

No one knows why either. Some say it has to do with all the trees and animals around here, they blame it on mossy shrubs and rooster droppings. Others think its because this neighborhood is so old. A respectable women, who died a couple decades ago now, started telling her friends that 90% of dust is just sloughed-off skin cells. She never said anything about the shedding of humans, but that’s the way rumors work I guess. Now most people believe this area is dirty because there are so many unsettled ghosts, lingering in the grass, riding on the backs of flies and bees, and lolling across the threads of cobwebs that materialize out of thin air inside their houses. 

Mr. Hal Baker was sitting on his porch this morning when I walked by with the Saturday paper and a cup of coffee. He returned my wave, but something felt amiss. Usually Mr. Hal will stand up when a woman passes by, because, “Well its just plain respect, son,” he told my brother once, in a tone that seemed to scold him for even needing to ask why.

If its early in the day, Mr. Hal will make sure you had a good night’s rest, and then ask your opinion on whatever was happening in New York (he subscribed to The Times and seemed to think the whole world was encapsulated in that one city). If you met Mr. Hal sometime in the evening, he’d make sure you hadn’t worked too hard that day and would have a decent dinner. To be honest, Mr. Hal has never seemed very real to me. More like a Saint Nicolas who can’t perform miracles, but still wants peace on earth. So when he didn’t inquire about my sleeping patterns or the news up north, I knew something was bothering him.

Turns out, Mrs. Baker had decided to start her Saturday cleaning two hours early, shoving dust all around the kitchen while he was trying to read his paper, spraying Clorox all over the bathroom while he was trying to comb his hair, then yelling about which rooms he could and could not walk through cause she was sweeping now and wouldn’t have him tracking stuff all through the house before she could even get to the mop.

Mr. Hal tried to stay out of her way, to give her the time and space she seemed to need for cleaning, and so he went out on the porch. A brown thrasher was singing in the tree above. He sat in the rocking chair and had just settled into a rhythmic sway when she exploded through the screen door with her straw broom. ”This time,” he told me, “I decided to just stay put,” which meant he would have to endure her fury about something that she would never understand, something that looked like an anxiety about dirt but had nothing at all to do with dirt. 

A strong wind blew back and forth through the porch, so that the loose earth Mrs. Baker was trying to sweep away was thrown right back at her, as if bouncing off an imaginary wall. She glanced over at Mr. Hal in a way that she hoped would lift him from the rocking chair and carry him back into the house. But he knew that she was only humiliated, so he stayed and said nothing. 

Her hands tightened around the stick of wood, she swatted at the porch until her back crackled in revolt. But it didn’t help— the wind thickened, as if she was whipping it up like egg whites into meringue. After a while, her arms went limp and she let out a sigh so guttural it sounded more like a grunt. Mr. Hal stood, moved toward the door, but just before entering said, “Don’t you think you’re fighting a hopeless battle?” He didn’t wait for a response, or even look her in her direction, knowing that she wouldn’t want him to. She didn’t.

Moments later, she came back into the house, doing the same thing to her wooden floors that she’d done to the porch, now with the mop instead of a broom, against an oscillating fan instead of the wind. When I walked by their house this morning, Mr. Hal had just come back out to the porch. There was nothing he could say or do for her, but its not like he came into this blindly either. “Her papa gave me fair warning,” he said inside of a long sigh. “He made sure I was there one Saturday morning to see the same cleaning routine seize Mrs. Baker’s mother like a demonic spirit.” 

I told him that I was real sorry, that I just couldn’t imagine Mrs. Baker acting that way. She’d always been so warm and charming, doing the most thoughtful things for people. “Oh, she’ll be fine, she’ll be fine,” he assured. 

I thought that I should probably get going, I didn’t want to catch Mrs. Baker in a bad moment, and plus, the coffee cup in my hand no longer felt very warm. But before I could excuse myself, Mr. Hal bent forward and looked straight at me. His eyes were all alit and a smile had spread across this face. “After mopping,” he said, “all that’s left to do is shake out the rugs.”

(2008)

Posted at 11:51pm and tagged with: two column,.

“It doesn’t interest me
what you do for a living…
It doesn’t interest me
how old you are.
I want to know
if you will risk
looking like a fool
for love
for your dream
for the adventure of being alive.

It doesn’t interest me
what planets are
squaring your moon
I want to know
if you have touched
the centre of your own sorrow
if you have been opened
by life’s betrayals
or have become shrivelled and closed
from fear of further pain.

I want to know
if you can sit with pain
mine or your own
without moving to hide it
or fade it
or fix it….

It doesn’t interest me
if the story you are telling me
is true.
I want to know if you can
disappoint another
to be true to yourself.
If you can bear
the accusation of betrayal
and not betray your own soul.
If you can be faithless
and therefore trustworthy.

I want to know if you can see beauty
even when it is not pretty
every day.
And if you can source your own life
from its presence.

I want to know
if you can live with failure
yours and mine
and still stand at the edge of the lake
and shout to the silver of the full moon,
“Yes.”

It doesn’t interest me
to know where you live
or how much money you have.
I want to know if you can get up
after the night of grief and despair
weary and bruised to the bone
and do what needs to be done
to feed the children.

It doesn’t interest me
who you know
or how you came to be here.
I want to know if you will stand
in the centre of the fire
with me
and not shrink back.

It doesn’t interest me
where or what or with whom
you have studied.
I want to know
what sustains you
from the inside
when all else falls away.

I want to know
if you can be alone
with yourself
and if you truly like
the company you keep
in the empty moments.”

Posted at 12:37pm and tagged with: two column,.

3 emigrants meet at twilight on a subway platform to walk to a Swedish cemetery. Today is Alla Helgons Dag, and they will participate in it together. 1 is Puerto Rican, 1 is a German who watched the wall fall from the east side of Berlin, and 1 is a Native American from southern Alabama. 1 lost his father 9 years ago, 1 lost her job 2 weeks ago, and 1 lost her family name 3 generations ago. There have been many other losses too, of course. And while drifting around thousands of graves alit with candles, inhaling the somber harmony of choirs, the calls to reflect upon the expired lives of family members and friends, the Puerto Rican, German, and Native American thought of their personal losses, for they did not know a single soul in any cemetery in the whole nation of Sweden.

They hadn’t intended or even expected to think of personal losses, only to participate in the cultural experience. The German begins to feel bad. Shouldn’t we try and think of the Swedes? she asks herself. This is their event after all. The Puerto Rican thinks the same thing, and it is easy for him to direct this mind onto something that he is not connected to in any way, for this is precisely what he’d been doing since his father died. But the Native American cannot detect their thoughts, nor had it ever crossed her mind, which is too crowded with amazement. That loss was so ubiquitous, that the grave looks the same here as anywhere and that no matter where you walk this earth, you walk atop the dead. For the German, there was remorse and condolences. For the Puerto Rican, blurry pain and detachment. For the Native American, harmony. 

Where am I going with all of this, you ask? 

I’m going to the first floor apartment of an Irishman. Because after setting their flickering candles at the feet of three unlit graves, they followed the steps of an Australian friend whom they’d bumped into on the subway platform. For the Australian, this event was merely the prelude to a party. She called an Irish friend who lives just 2 blocks from the cemetery’s back gate. He invited them over for a whiskey, and they walked down a long curvy finger of the cemetery, through the back gate, turned right, went 2 blocks and knocked on a red door. But a man from the outskirts of Dublin did not answer the door. It was his Finnish roommate. 

The German, Native American, Puerto Rican, Australian, Irishman and Finn form a circle in the living room with their whiskies. Conversation is slow at first, chit-chatty, until the whisky glasses are refilled with gin and a bowl of chips are brought out, if you want to call them chips. The Irishman did, though they aren’t made from potatoes nor are they of normal size. They’re as big as my hand, thinks the German who puts hers back into the bowl, it must be an Irish decoration. Oh its green kale, exclaims the Finn. I’ve baked kale like this before. These aren’t baked actually, they’re dehydrated, the Irishman says then announces that 2 Swedes are coming over for dinner. Would anyone like to stay for the meal? There’s plenty of food, but its not cooked. Everyone says yes, they’re in no hurry.

The Swedes arrive, the table is set, everyone sits around it except for the Irishman who goes to the kitchen to prepare the food, course by course, and no matter what it is, whether its sushi, seaweed, sliced bread, mole, pizzas, chocolate cake or ice cream, all of it comes out raw. These foods are alive, he says more than once. Oh great, the Australian thinks to herself, living foods on the day of the dead, someone please pass the wine. The German is concerned too, but more about the Irishman’s raw food diet. The Japenese taught her that one must eat warm, long-simmered foods in cold weather in order to keep a proper body temperature. Why start this diet now, with a 5 month Swedish winter ahead? she wonders. 

Throughout the night, there is talk of the Japanese, the British and the Hungarians, because the German, Australian and Native American have lived in Tokyo, London and Budapest - respectively. The Swedes are particularly keen on talking about the Danes. The Finn knows that they compete with one another, she’s noticed the same tension between the Swedes and Norwegians too, but she has never understood their sibling rivalry, and that’s exactly what it is. The Native American thinks its natural, the Puerto Rican finds it quite amusing, while the German and Australian have no experience in the matter. They ask several questions about Denmark, trying to understand what its like. Is Copenhagen similar to Portland, they ask? Hm, thats an interesting comparison, the others say, then talk it out. The German and Australian gather all of the varying interpretations and piece together their own images of Copenhagen. 

It seems as if the Irishman is listening intently, and he is trying, but he is also thinking of the Blomstedt’s. Earlier the Native American had asked him about James Joyce, then before he could answer, and he was certainly glad that he didn’t have to answer, she suddenly exhaled the word, Blomstedt. That was the name, she recalled. She nearly tripped over the gravestone, because the plot was so small and dark and no one had put a candle there. She wanted to hold her candle till the end of the walk because it was keeping her hands warm, but the little grave seemed so sad. She put her candle down, and that little plot came to life, she told him with bright eyes. Erik and Anna Blomstedt was etched into the stone and nothing else. No dates or prayers or anything. Just Erik and Anna in small letters, Blomstedt in big letters.

The Irishman thought about this while his guests talked of the world, because just that morning he had written a letter to his girlfriend back in Dublin. He wanted her to know that the flowers she sent on his birthday turned green before they died. Instead of turning yellow or brown and dropping its petals one by one, they became green and crisp. For days he wondered if they would bloom and begin to live all over again. 

Unfortunately they died just two days later, but he didn’t say anything about that in his letter. He thought about it, but no, I’ve never been one to state the obvious, he decided in the end. 

Posted at 11:20pm and tagged with: two column,.

I keep meaning to tell Roy that I come to this cemetery a lot. Several days a week, in fact, because its center path allows me to avoid the heavy pedestrian traffic on Nørrebrogade. I think of Roy often, though, because of how much he loves Kirkegaard. And in here, about 3 meters from where I sit, lies Kirkegaard.

I’d planned to walk straight through today, but then I saw an empty bench under a large gray shade. Couldn’t resist, especially since I have a new book. Purchased it this morning with the guidance of a woman who, only yesterday, I despised. She’d chided me as a child as I thumbed through a collection of interviews. Apparently I was bending the book spine too much. “You’ll damage the book that way” she said, tapping my knuckles with her thin fingers. I was shamed. But today was a new day, she grinned while squeezing between me and the fiction section, so I asked her advice on a Norwegian author. She gave it to me, and it was good advice. 

Pale yellow blotches dance around me. Its partly cloudy, completely windy. I am exhausted and want to lie down on this bench, just for a few minutes, but how can one do that in a public space without looking like a bum? I’m next to a trashbin too. Giant-sized flies and bees are darting, crashing into me constantly - no, I am not what you hope, there is no life for you here - then they buzz away. Like the little bugs that come into our flat at night and congregate on the ceiling, not moving at all, just there. It took us days to figure out what it was we had that they wanted, but now we know, its the light. We have to pull our shades down on warmer nights when the windows stay open. Otherwise, there’ll be a mess to clean up the next day, for the cloud of little creatures will have fallen dead in the dark. 

The yellow patches are brighter now, glinting like crystals, and I really need to close my eyes. Maybe one of the angels out here will come and cover me as I slump into down into metal. Some look so sad and despondent, staring down at rectangles of raised earth. Others are more assertive, looking around with protective, almost seductive eyes. I want one of those. There are so many crosses too, and of course innumerable headstones. But the tree above me is definitely more like an angel. Tall and thick, its branches hang loosely and are covered in little green leaves that flutter, like the long loose garb that drapes over an angels shoulders, rippling in the wind. And the knob of wood on the tree trunk is her one exposed breast, a bit misshapen perhaps, but solid.

She is here and I am fading. 

Posted at 4:12pm and tagged with: two column,.

Moving Day #3 for the month. Just when we finally settle into one place, our life gets shuffled around for some reason or another. Our new flat is smaller but conveniently located just one floor below our current flat, so the move won’t be bad. Plus, we don’t have much to mvoe. All of our things are still weighing in around 47 lbs. So yes, we’ve amassed one additional pound since arriving in Copenhagen, but we really needed a french press and two coffee mugs.

As I washed last night’s dinner dishes, Fredo went downstairs to begin wiping out cabinets and vacuuming the floors. I joined him when I was done, going from one kitchen straight into another, washing a different set of dishes in an unfamiliar sink. He had Andrew Bird’s Armchair Apocrypha album playing in the speakers. Somewhere between Cataracts and Scythian Empires, I began to remember the night, three years ago now, when I first heard this album.

I was living on 8th Street then. I’d been studying all night and walked up to the 3rd floor attic that was my bedroom at a very early hour of the morning. I should’ve stayed downstairs long enough to brush my teeth, but I didn’t. I needed to unwind from my studies somehow. Music has always been a vital part of me, but never more necessary I don’t think than when I was in grad school. And while crouched beneath the florescent light of a library desk earlier that night, I’d downloaded some new music that I was eager to hear. 

I hit play, and Fiery Crash began. I laid down on the coarse carpet, just beneath the tiny window that held the moon. I was wearing denim jeans and a long-sleeve black shirt. My thoughts were all over the place. I was grief-stricken in those days. 

And now I am here, I thought last night. Cleaning dishes in a tiny kitchen on the small island of Denmark, while my love is scrubbing cabinets in the next room.

I may be able to recall that night three years ago, but I cannot fully return to it. Life has changed, in a way that I could’ve never imagined back then. And so have I as well. 

Posted at 11:29am and tagged with: two column,.

For god sakes, why did someone feel it was okay to bring their stereo system with them to the laundry mat? It took the woman ten whole minutes to set up the speakers, stretch an extension cord from the dry cleaner’s window on the other side of the building, browse through stations and spurts of static, and now, everyone in here is being subjected to an awful rap station blasting from her corner. One guy walked out and came back with an iPod. Several others have dug earplugs and mp3 players from their bags, including me.

A tall man just came through the door in heavy, untied shoes that slipped on his heels and clonked on the dingy tiled floor as he trudged straight toward the woman with the blasting stereo. I thought he might ask her to turn it down, or better yet, turn it off. But, instead, he told her that he was going to Buddy’s, “for some chips or something.” Her face lit up, especially her eyes, in the way that a mother beams when her child does something particularly admirable. “Oh, okay,” she said, still smiling, eyelashes now batting. When he finally made it back across the room to the door, a jarring holler leapt out of her corner: “Bring me a sandwich, daddy!”  

He asked her what kind, but fully immersed in the noise of her speakers, she couldn’t hear him . “What kind?” he hollered again, impatiently. “You can call me,” she yelled. “What you say?” he screamed back. “JUST CALL ME WHEN YOU GET THERE,” she hollered, louder. Everyone looked around nervously, because their voices sounded as if they were ready to tip over into a brawl. “WHAT?” he yelled again. “GET ME A TURKEY, DADDY!” He turned toward the door. “ON THAT SWISS CHEESE!” He continued leaving without a word. “C’MON, DADDY, ON THAT SWISS CHEESE!” 

Another woman, just a few washers down, shouted toward the speakers, “Don’t forget to get your bread toasted! Gotta get that bread toasted, you know,” at which both women burst in full-body laughter. They’re still shouting back and forth with one another now. About how their towels can stay fresh in the closet sometimes, even several days after washing. And as soon as both women agree about a thing, laughter splits open, their bodies double over, hands go clapping, the rap station is almost nothing but static now.

Posted at 4:32pm and tagged with: laundromat, laundry, people, two column,.

I finally saw Vincere - the onscreen story of Isa Dalser, who was Mussolini’s secret lover and first wife. She bore his first son, Benito, and sold everything she had in order to fund Il Popolo d’Italia, the newspaper launched Mussolini’s political career. In return Dalser expected Mussolini’s loyalty and everlasting love, but he abandoned her soon after Benito’s birth and married a more reasonable woman, Rachele, for much of the same of reason that he abandoned his ardent socialist stance and embraced fascism: it better suited his ascent to power.

Dalser’s fiery admiration for Mussolini never waned, though it did precipitate a lot of anguish and disillusion. She fought stubbornly for his attention, only to be caged in madhouses, severed from her son, and swept quietly into the sea of history. Just recently has her story surfaced, and Director Marco Bellochio weaves it together with actual newsreel footage, wartime slogans, propaganda, and other visual elements to illuminate a rather unique perspective of the man Mussolini. 

How was Vincere? Cinematically: powerful. Emotionally: disturbing. So much that I walked straight out of the theatre to the park. Despite the 5437 pollen count, I needed to walk and process.

While walking, I thought repeatedly of Camille Claudel, a French film I saw years ago. Claudel was the lover of Auguste Rodin. The two met when Claudel arrived in Rodin’s sculpting class with a self-taught talent that moved him deeply. She became not only his pupil, but the inspiration for his art and the great passion of his life. Although their 16 year affair was mutually amorous, Rodin began to distance himself, which, naturally, turned Claudel into an emotional wreck. Her complex emotions eventually drove Rodin away, though he’d always claimed to love her ability to feel and “to live from her heart.” Rodin lived the remainder of his days in a quiet domesticity with an unremarkable wife, but it was evident in his work that Claudel remained his muse.  

Camille Claudel’s story isn’t all that unique, and neither is Isa Dalser’s to be honest. Many women, including myself, can relate all too well to their experiences. What makes their stories so exceptional are the men whom they knew and loved. Men who influenced the course of history and culture in huge ways, but who were themselves so influenced by the very intimate passion expressed through two lovers.

In fact, just six hours before I saw Vincere, I read a book review for A Ticket to the Circus, the memoir of Norman Mailer’s last wife. Though I only read an excerpt of the book, I can already tell that her story reveals not only an entirely different view of Mailer than anyone has ever known before, but also a greater understanding of his work. His novels make more sense now. Just as Claudel’s story enlightens Rodin’s work. And as Dalser’s fate enlightens Mussolini’s oppression of Italia.

Maybe it was too late, but these women finally found their voices, offering new ways of seeing people like Mussolini, Rodin, and Mailer. It’s like viewing history through an entirely new lens, and it’s something that has become very interesting to me. Not really sure what else to say about it at this point, still thinking… 

Posted at 6:11pm and tagged with: two column, film, art, love, history,.

I won’t hear a single coquí tonight, nor a tireless wind rustling the long, rigid leaves of palm trees. I won’t lay and listen to a blue green sea roll across the shore like hands reaching for whatever they can grab, or, at times, go clapping against brown rocky crags that bubble up from its own belly. 

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No, tonight, I’ll be back in my own bed, hearing motorcyclists rev their engines, bums yelling curse words at one another from different sides of the street, tires scrubbing back and forth against broken black pavement, faint reminiscences of last night’s soundscape, a few tears dripping from my changed eyes onto a worn white pillow.

Posted at 10:01pm and tagged with: home, noise, nostalgia, puerto rico, return, travel, two column,.