Scraps

of a Patchwork

i have to mourn this
and i have to do it now

dear heart, you knew
it’s always coming

this way of living, in love
with so many things costs

you everything
you have

no other choice but
to say goodbye

again and walk away
do not look back

okay? listen, don’t look
back.  you knew this

was coming but it
was worth it at

the time - two o’clock
bell towers shouting

from the hill
where he is planted

between the cobble-
stones, you’ll move like

an afternoon shadow, out
through the city walls

down into the mist-
filled valley where

you came from, ciao
mia bella, the greeting

echoes, a faint goodbye
now let me go, dear

heart, you are bigger
and stronger

than you ever knew
but i am worn out

from all that walking
uphill to stand beside

the grave of St. Margherita
as if she still has

a hand in this game, as if
she ever did

Posted at 6:43pm and tagged with: one column,.

light spilled onto the floor
a scattering of fern leaves
the color of champagne
now its time for breakfast


   - opening the blinds
       from FOUND IN A NOTEPAD

Posted at 5:55pm and tagged with: one column,.

now i will step out 
soak up the light, however
bleak it is, i need it. florescent
rain trickles down, a vacuum hums &
voices spurt through an inert box  - who are you
footsteps above, moving so quickly
across the drooling pane, hooded heads - is that me
my name being called?  turn
then & be 
sucked back in



  - conference call
      from FOUND IN A NOTEPAD

Posted at 5:52pm and tagged with: one column,.

A pink glow in the bedroom window. I reach for the watch on the bedside table, and pulling it toward my half-blind eyes, know that I should’t care about the time. But the act is already in motion, I see a number. Its just a number, it can’t take into account the day of week, time of year, my situation or my plans for this day. Time is like a supreme god, sitting outside of the human experience, dictating it. 

The sheep are quiet this morning. Last night, two teenaged boys found their way to the pasture and wanted to have a little fun. In unison, they made a bleating noise. Several sheep bleated back. The boys giggled, and that’s how I knew they were teenagers. Boyish laughter flecked with masculinity. They made another bleating noise. A moment of silence, and then a sheep responded. This continued on for a while, until the sheep were bored and silent, and the boys tried rousing them with even stranger noises. I didn’t mind at all what they were doing. We used to do the same thing as kids. We did worser things, actually. We would wait until the cows had fallen asleep and then charge through the field and push them over. Cow-tipping, that’s what we called it. 

I had the back door open last night, trying to stave off a sweat. There was wind, but it crawled and wheezed through the summer sky. A thousands crickets, or cicadas, I’m not sure which, were screaming in the grass. No matter where I am in this world, they always remind me of home. 

I am staying in a new place this week, though something about it feels incredibly familiar. It is a family home. It raised two children who now have their own lives in different countries. The parents are still here, one is retired and likes to bike, the other is still teaching at the university and writing novels. Their house isn’t tidy, its not fresh. It is filled with stuff and covered in stains. It is well-lived in. 

Just beyond the sheep pasture is a large lake called Brunnsviken. I’ve walked around it twice now. The first time, I wasn’t sure if it was even possible, and after walking 12 km, I considered turning around. What if the lake funnels into the sea and I am stuck on the wrong side of home?

But curiosity kept me going. Already, I’d seen several beaches, where clothes hung on currant trees and women laid topless across the sand, their breasts heavy with heat. I’d scraped along the the face of a rock. Gathered wild blueberries until my hands were stained red. Discovered the estate of Crown Princess Victoria. And an elaborate Chinese temple. I’d followed a tree-lined path that gradually became pure forest. Just a thick underbrush of ferns. And trees that grew taller and taller until they were towering over me. I felt like an ant. Never in my life have I been in the presence of such giant trees. I’ve always wanted to walk through the Redwood Forest, and one day I will, but I wonder if it’ll feel like this.  

“Beware of ticks,” the house owner warned me just a few days earlier. Her grave voice rang in my ears: “You do know about the ticks, don’t you?” Of course I do. Swedes talk about them a lot, and admittedly, the idea of a tick burrowing itself into my skin almost turned me around. But with the trees stretching into the clouds, long sun rays falling through them and scattering like gold dust across the fern undergrowth, the forest noises, and tiny white butterflies flickering around - it was all too beautiful, I had to keep going.

Eventually I made it around Brunnsviken. All the sadness and stress I’d left the house with had disappeared into the 16 km behind me. I was tired and dirty, but somehow, restored. I came inside, turned on a Rat Pack album that I’d seen earlier, and went straight to the shower.  

There’s no hair dryer in this house, I discovered afterward. No straightening iron. No products. So I did something that I have never done before: I twisted my wet hair into one long braid, just like my mother did when I was young. My hair was too unruly to be left alone. Wild hairs, stubborn, restless, too curious for her own good - this is how she described me to her friends.

But that was decades ago, and things have changed. Now when people ask about me, she tells them where I am and what I’m doing. Usually, they cannot even fathom it. Where I am is a long way from south Alabama. Then, without any of her old vexation, my mother simply tells them, “You know she’s always been my free spirit.” 

I’m not sure what she means by that, to be honest. What exactly am I free from?  Not home, not work. Not chores, practicalities, and responsibilities. Not family or friends, colleagues or clients. Not loss. Not pain. Not fear. I have many fears. Many more questions. I have demons. I have dreams. I have high expectations. Wrong assumptions. Limited resources. Limited perspective. My hair is still unruly, and I can only see it as a burden. What does it mean to have a free spirt? 

Lately, my spirit has felt lost. Yearning for home, yet utterly incapable of saying where home might be. After this week, however, alone, in this family house, in a little town outside of Stockholm that reminds me of the place where I grew up, a deep reverence and childlike curiosity for life has awakened in me. Its something I’ve always had and may never outgrow.

Home is right here, I’m beginning to realize. It is a place inside of me.



* “Where I Lived, and What I Lived For,” by Henry David Thoreau

Posted at 12:15am and tagged with: one column,.

“Bangladesh,” he answered. I asked where he was from after he told me that he’s been in Sweden for seven years. “I come from the poorest country in the world!” He was proud to say this, and did so several times. Suddenly I noticed how small the man was. Not underweight, but petite and thin-framed. The only reason I noticed is because, earlier today, I read an interview with Japanese designer, Yohji Yamamoto, and he said that his generation of Japanese people are the smallest because food was scarce after the war. They had nothing to eat, and so they were small. “It still makes me angry!” Yamamoto said.

But the guy from Bangladesh was not angry at all. An enormous smile had unrolled across his face, and above it, his eyes were as round and bright as full moons - that bewildered expression in both eyes. “Do you understand what I’m saying?” he asked. “I come from the poorest country in the whole world. The whole world. And now look!” He gazed down at his small body, then gestured toward the window. I looked back to see two young women sitting at a table, a bottle of wine in the center, emptied, their plates had been cleared, the sidewalk was quiet and concrete. Before I could respond, he was laughing, and although his laughter was cheerful for the most part, a thread of derision ran through the middle and carried it on for many seconds. “Listen,” he said finally. “It would be like you going all the way to the moon!”

Posted at 12:08pm and tagged with: one column,.

510
20 degrees, gold-dusted streets, the smell of bbq, japonica everywhere. I came in to find open windows, the white orchid is in full bloom, avocados are ripe, our kitchen smells of lime and chopped cilantro, you know exactly where this is going -–

517
Planned to make a veggie wrap and do an hour of yoga. Instead, I came home, made fruit compote and ate it with a bowl of ice cream. Still haven’t done yoga. Tummy ache. Its been raining off and on. The sky lightened fifteen minutes ago, I went to the window because for some reason I thought there might be a rainbow. There wasn’t. Just several grays, and the clouds were particularly white. Speaking of, I am really into white wines lately. First time in my life. 

520
Childhood returns to me in the spring. High in the branches of old trees, the aimless float and fish through rivers, the green of grass, before summer blazed through and turned it all brown.  We laid in the green, it whispered things to us, we created life in the clouds until in a nearer distance we heard the ice cream truck and went running to my father’s coin bucket. He kept in his top dresser drawer, we searched it desperately for a quarter. Just one quarter. That’s all we needed. Even though two dimes and a nickel would have worked, we didn’t know it. The ice cream man always said, “That’ll be a quarter,” and by the time we were old enough to understand the value of money, we’d lost the desperation for ice cream.

524
Woke up long before the alarm this morning, no idea what time it was. Time stays on the other side of the bed, and its hard to judge by the sun these days. I stood at the window, watching, nothing breathing, a moment of silence, twenty whole minutes of silence, not even the wind stirred. Everything slept, except for the light. It and it alone moved. Until something blinked in the corner. I think it could have been a squirrel. 

525
Back here, people are just talking. They don’t want to hear the music. Not the renowned pianist/violinist who is banging away at his electrical guitar. People came for the french composer, not a slovenly guy who could’ve washed up from south florida. And I’ve already told you where I stand. 

527
Central Station. I hate when the Swedes act like they have no idea what I’m talking about when I say Central Station. Maybe they don’t like the sound of it, as I don’t care much for T-Centralen. Sounds like a Russian spacecraft. Well, at least they know something about comfortable benches. I’ve never seen so many vacant ones. So why did the woman want to sit on this bench? She asked me to scoot over, when three empty benches surrounded me on both sides. Maybe she doesn’t like being alone, I can understand that. I’m only here until the rain stops. Clouds scroll so quickly above these nordic islands, its unbelievable. I was annoyed to be here at first- for having to stop. But now I feel so calm, maybe it was a good thing. To stop. To remember why I love train stations. To draw in the ink and let it breathe on the page, however it may. 

Posted at 10:41am and tagged with: one column,.

There are two ways of looking at a thing.

Either you feel that a thing must be perfect before you present it to the public, or you are willing to let it go out even knowing that it is not perfect, because you are striving for something even beyond what you have achieved, but in struggling too hard for perfection you know that you may lose the very glimmer of life, the very spirit of the thing that you also know exists at a particular point in what you have done; and that to interfere with it would be to destroy that very living quality.

I am myself in favor of practising in public. There are, of course, those people who say, ‘But the public is not interested in watching people practice. It wants the finished thing or nothing.’ My answer is that if one does not practice in public in reality, then in nine cases out of ten the world will never see the finished product of one’s work. Some people go on the assumption that if a thing is not a hundred percent perfect it should not be given to the world, but I have seen too many things that were a hundred percent perfect that were spiritually dead, and then things that have been seemingly incomplete that have life and vitality, which I prefer by for to the other so-called perfect thing. 

It is one thing to think about a piece of work as a scientific or objective entity that will stand up a hundred years hence, and another to think of a living quality of the person doing the thing and of his development. Is the think felt — does  it come out of an inner need - an inner must? Is one ready to die for it?… that is the only test. 


 - the words of Alfred Stieglitz. Quoted by Dorothy Norman in America and Alfred Stieglitz, pg 136-137, Doubleday, Doran + Company, 1934.

Posted at 10:25am and tagged with: one column,.

Dear Sleep,
I can imagine how the drastic increase of light must make it difficult for you to thrive, but I really need more of you in my life. Please stay a little longer each night, and don’t let that mercurial sun fool you so.

Dear spring,
You’re pretty. Can’t wait to see what you’ll do in the trees.

Dear Will Oldham,
I crave you like fresh basil every spring.

Dear church on the hill,
Please give my kind regards to your south lawn, because its yellow wildflowers brought our dinner table to life this weekend. [P.S. remember that neon strobe light you put in the clock tower around New Years? Yeah, not your best idea. Trust me, the regular clock face is stylish enough.]

Dear raspberry sorbet,
You are so much better than the cactus lime sorbet.

Dear Jeffrey Eugenides,
Your Middlesex gets more interesting by the page. And when I say interesting, I mean that my questions are piling up. I wonder how many of them you’ll answer. Curiosity keeps me going. And when I say going, I mean nonstop.

To whomever scribbled the word Listen on the signpost in the park,
Thank you. I did, and it was breathtaking.

To whomever spray-painted Aryan on the electrical boxes along the highway,
You are an asshole.

To the girl in the navy blue polka-dotted dress and the guy in black suspenders,
There was something special about you two. We’ve never met, and probably never will, but I’ve written a story about you. Blue ink, little circles scattered across two pages, just like her dress.

Dear Wind,
Your strength is that of Boreas, but like Zephyr, you are ushering in the spring. What shall I call you? It doesn’t have to be Greek.

Dear Haloumi Melon Avocado Salad with Lime-Mint Dressing,
It was a sweet and savory pleasure to meet you. I hope we meet again very soon.

My dear feet,
You are flat, but capable. Tired and calloused, but eager to please all of my demands. I know you like to dance, to feel the grass, and the sand. I know you hate being wet, or cold, or smothered in socks and shoes. And so I understand what a difficult year its been for you. All I can say is that I’m sorry. I don’t know when the circumstances will improve, but I promise to care for you as best as I can. Very grateful for your loyalty.

Dear Sweden,
I cannot thank you enough for the clean air, the clean water, five weeks of paid vacation, free healthcare, and your support for my endeavors. Oh, and thanks for the boat ride yesterday too. And for your amazing libraries, cinemas, nature trails, cafés. No place is perfect, but I consider it a true privilege to call you home for now.

To my dearest,
You covered me like leaves through the winter. Thank you.

Dear Monday,
I’m ready.

Posted at 9:32am and tagged with: one column,.

“The world just keeps getting bigger once you get out on your own,” Tom Waits crooned through my morning routine.  And I could not agree with him more. I’ve never embraced the popular mantra about the world being small… or the one about life being short. I am in the early thick of life, and already it feels long. I have come to the top of the world, after winding my way through it, and though I can see how people might say that the world shrinks gradually away, its just not true for me.

Not yet at least, and hopefully never. Because age and location have nothing to do with it. From what I can tell, the human experience is startling identical no matter where you go. It has to do with something else. Maybe its perception: one’s capacity to perceive. Or maybe its language: the meaning one ascribes to certain words. I’m not sure, but even as I type, the world is getting bigger, and so I’ll leave it at this. The first stanza of Charles Simic’s, The Something:

Here come my night thoughts
On crutches,
Returning from studying the heavens.
What they thought about
Stayed the same,
Stayed immense and incomprehensible.


(read the whole thing here.)

Posted at 10:38am and tagged with: one column,.

If it weren’t so beautiful outside and I weren’t so keen to get out, I would tell you where I am (two floors up, beneath a dome lamp), what I did yesterday (it was so windy), where I will go in just a few minutes (another island), but of course I would tell you much more than this. Maybe I would tell you a secret, I don’t know which one, I’ve learned quite a few since I moved here, such as the real reason why so many Swedes walk through the cemeteries during the winter. I don’t want to give it away, but it has something to do with how snow piles up on the crosses like bad hairdos. Some look like women with big teased hair; others like men with those bowl cuts, or mushroom cuts, whatever you call them, just think Moe Howard and you’ve got the right idea.

Snow drapes the outstretched arms of each cross too, white blouses and coats, and  fills the crevices of its embellished face, giving them each a mouth and a pair of eyes in which to express themselves. The features are quite deformed by human standards, so that when a person enters through the black iron fence, they can behold another world: a field of scarecrows, the Moai of Easter Island, a land of ugly dolls, the options are endless when it comes to imagination. Kids point and laugh outright, but not the adults, not in Sweden, thats just too expressive. But no one can fully hide their amusement either. I hear their snickering, muffled between their dropped faces and the snowy floor. No one speaks publicly about it, but everyone knows that everyone else knows, and they make sure to pass through the cemetery each day, if possible, just to have a good laugh. You have to find things to laugh about in the winter, and things to fabricate too, and what have I done? Now I’ve given away the secret.

The beauty of writing is that I can take my pen and scratch through that last paragraph. But if we were talking directly to one another, I’d have said it, and the secret would have been out, for good, there is no way to scratch through air. And sometimes, like today, I prefer to think that you are here, that we are having a real conversation, and these words are more than characters etched on a page. That we are sitting across from one another in this second floor room, lingering over this breakfast table, big enough for twenty people, but I am only one, and by the way, I think we can turn off the dome lamp now. There is plenty of sunlight coming through the window. I can’t decide whether to go out in it, or to just curl up with what I have here. 

Do you know what it feels like to curl up in the sun? Ah, of course you do. A bit like sinking into a warm bath, yet without all the wetness. And without the transparency of water too. Just because there’s so much light doesn’t mean that you can see any better. In fact, you have to close your eyes. Let go of everything and just sink down. It may become darker than ever, a pitch beyond black, but if you can just relax and wait, your vision will start to fade back in. There can be flashes across your skin, like a big dance, a ballroom of feet capering across your scalp, and gradually you sense a rhythm. So you join in. It feels like floating. You just float. And by the time you realize that the light is dancing in one continuous direction, you open your eyes, blink, blink again, and see that it has moved on to the next building. 

Posted at 12:02pm and tagged with: one column,.

It may be that when we no longer know what to do
we have come to our real work,
and that when we no longer know which way to go
we have come to our real journey.
The mind that is not baffled is not employed.
The impeded stream is the one that sings.


(Wendell Berry)

Posted at 6:06pm and tagged with: one column, wendell berry,.